Ra
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克洛德·勒卢什
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她,Anne Gauthier(阿努克·艾梅 Anouk Aimée 饰)是一个寡妇,独自抚养着她的女儿。她是一名电影场记,丈夫是一个特技演员,在拍摄一场戏的时候不幸丧生。她每周都要从Paris去Deauville接送她在Deauville一所学校寄读的女儿。他,Jean-Louis(让-路易斯·特林提格南特 Jean-Louis Trintignant 饰)是一个鳏夫,独自抚养着他的儿子。他是一名赛车手,一场车祸后他的妻子以为他已经丧生而自杀身亡。他每周也要到Deauville去接送他的儿子。有一天,Anne送女儿上学后错过了回巴黎的最后一班火车,因此邂逅了Jean-Louis,Jean-Louis开车送Anne回家,两人约定下周一起去接孩子。下个周日,两人和两个孩子在一起度过了愉快的时光。两个寂寞的男女被彼此所吸引,爱情正在生根发芽。
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茂文·勒鲁瓦
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正值美国南北战争期间,居住在小镇的马其家的父亲上了前线打仗,马其家共有四个女儿,大女儿Meg温柔可人,偶尔去做家庭教师补贴家用,二女儿Joe热爱写作,且很有些天才,像个假小子,三女儿Beth文静乖巧,喜爱在家跟小猫玩,谈谈钢琴,四女儿Amy(伊丽莎白•泰勒 饰)还在上学,金发碧眼,活泼调皮。平日琐事不断,然而她们的母亲马其夫人一直给予她们勇敢生活面对战争面对生死未卜的父亲的力量,还带领她们多去关怀身边需要关心的人。一个圣诞节,马其家的四个小妇人出门去把食物送给了那些贫穷人家的孩子,当她们拖着疲累的身体回家时,却发现满桌的佳肴!原来是邻居家的劳伦斯爷爷为表扬她们的举动为她们准备的。当夏天到来,父亲也回来了。她们一家团聚。然而成长的道路还在继续。
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亚美莉卡·杨
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On the brink of their beloved single screen independent movie theater being shut down forever, a misfit band of theater workers face the corporate evil, foreclosure and the unthinkable...having to decide what they want to be when and if they ever grow up. Concessionaires Assemble!
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阿皮谢克·卡普尔
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In 1920s India, a young stable boy bonds with a spirited horse. Amid rebellion and tyranny, his quest to ride the majestic animal becomes a journey of courage, awakening him to the country's fight for freedom.
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乔治·卢卡斯
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克隆战争已经进行了三年,共和国即将胜利,分裂联盟的格非特将军和杜库伯爵(克里斯托弗•李 Christopher Lee 饰)劫持议会首相帕尔帕庭(伊恩·迈克蒂安米德Ian McDiarmid 饰)潜逃,绝地武士欧比-旺•肯诺比(伊万•麦克格雷格 Ewan McGregor 饰)和阿纳金(海登·克里斯滕森 Hayden Christensen 饰)奉长老院命前去营救,阿纳金杀死杜库伯爵救出帕尔帕庭,但格非特将军逃匿。阿纳金梦见妻子阿米达拉(娜塔丽·波特曼 Natalie Portman 饰)将死于难产,困惑中求助于帕尔帕庭,后者趁此机会离间阿纳金与绝地长老院。随着阿纳金向帕尔帕庭的靠拢,一场针对绝地武士与其所捍卫之民主的阴谋逐渐展开。 本片提名2006年第78界奥斯卡最佳化妆奖,并提名格莱美最佳电影电视等视觉媒体原创音乐奖。
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梅德·翁多
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It’s winter in France, the light is dull, the camera pans over a snowy wasteland and enters a massive construction of steel and glass that is open at the sides, stopping in front of the reproduction of a wooden ship. The structure that juts out over the upper deck is inscribed with the words ‘Liberté, Égalité, Fraternité’. Med Hondo uses this tracking shot to establish the setting of his feature film West Indies ou les nègres marrons de la liberté (1979), while opening up a much larger space to the imagination at the same time. The ship turns out to be a most versatile stage for a grotesque narrative of colonialism, slavery and the struggle for independence in the French West Indies. Med Hondo explores his many themes in this limited space, whether it be the Middle Passage, marronage, abolition or the history of labour migration to France. The film marries an aesthetics of thrift with the flamboyance of a musical; different time periods glide into one other as elegantly as the geographical points of reference; and only occasionally do the actors’ visible exhalations, an alienation effect created by the cold, remind us that West Indies was not shot on Martinique.
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Shaun Paul Piccinino
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确定恋爱关系一年后,凯莉和约瑟夫为了旧金山的家族企业离开农场,两人也即将步入婚姻殿堂
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迈克尔·费法
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After newlywed Jocelyn learns that her husband Jody (Michael Welch, Twilight franchise) had her father shot down, she flees from the Callahan ranch in fear. She's rescued by gunman Billy Tyson, who safeguards her at a remote outpost as he staves off Jody's attempts to reclaim his bride.






























